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Hamilton is a sung-and-rapped-through musical that charts the rise of Alexander Hamilton, an immigrant from the West Indies who became a Founding Father of the United States. Created by Lin-Manuel Miranda, who wrote the music, lyrics, and book, the show is inspired by Ron Chernow’s acclaimed biography. Since its 2015 Broadway premiere, Hamilton has transformed modern musical theatre, thanks to its diverse casting, inventive use of hip-hop and R&B, and razor-sharp storytelling.
The London production opened at the Victoria Palace Theatre to overwhelming critical praise, winning 7 Olivier Awards including Best New Musical. Directed by Thomas Kail with choreography by Andy Blankenbuehler, it features scenic design by David Korins and costume design by Paul Tazewell. With a legacy that spans the stage, screen, and cultural discourse, Hamilton musical in London remains one of the West End’s most powerful theatrical experiences.
Set against the backdrop of the American Revolutionary era, Hamilton follows the meteoric rise of Alexander Hamilton, an ambitious immigrant who becomes George Washington’s trusted aide, shapes the nation’s financial system, and leaves an enduring political legacy. Alongside fellow revolutionaries like Lafayette and Burr, Hamilton navigates love, war, and power as a new country takes shape. As alliances shift and rivalries deepen, his story builds toward a legacy-defining confrontation. Witness this gripping tale unfold live with Hamilton in London's Victoria Palace Theatre.
From its opening notes to the last curtain call, the Hamilton musical in London delivers a soundtrack that’s as revolutionary as its story. The Grammy Award-winning cast album features lyrical genius, infectious beats, and unforgettable hooks. Get ready to sing along to fan-favourites like “Alexander Hamilton”, “My Shot”, “The Room Where It Happens”, “Wait for It”, “Right-Hand Man”, “Yorktown (The World Turned Upside Down)” and more!
The Victoria Palace Theatre, located in the heart of London’s West End, is a Grade II-listed Edwardian theater. Originally opened in 1911 and designed by architect Frank Matcham, it’s famed for its elegant façade and opulent interior. Following a major £50 million refurbishment in 2016, the theater was modernised with improved sightlines, updated amenities, and enhanced acoustics, making it the perfect home for blockbuster productions like Hamilton. Over the years, it has hosted hits such as Billy Elliot the Musical and Annie.
The Victoria Palace Theatre seating plan will help you find the best seats in the theater.
Available facilities: restrooms, cloakroom, Bar, merchandise counters.
Accessibility: accessible restrooms, companion seating, Wheelchair-accessible entrances, accessible seating, step-free, infrared audio system, guide dogs are welcome.
I really enjoyed the show. Hamilton was excellent; he had a beautiful singing voice and delivered his monologue in “Who Lives, Who Dies, Who Tells Your Story” with great emotion. And this despite the fact that he was just a stand-in and technically part of the ensemble. Eliza was good—I don’t have anything else to say about her. Angelica was outstanding; she sang “Satisfied” superbly. The longing she portrayed was impressive. I really liked Peggy/Maria. As Peggy, her portrayal of the “third wheel” was truly believable—you could practically feel her naivety. As Maria, she sang beautifully. I didn’t like Burr at all. I don’t expect a Leslie Odom Jr. performance—that would be asking too much. However, the actor mumbled every line, which was reminiscent of mumble rap. This was particularly distracting in “Dear Theodosia,” “Wait for It,” and “The Room Where It Happens”; he seemed to have “main character syndrome,” and I felt like he was desperately trying to play his own interpretation of the role just to set himself apart. He succeeded, but it just wasn’t good. Lafayette/Jefferson was fantastic. He had charm, vibe, and his performance was witty. I wouldn’t have thought that a portrayal of Lafayette/Jefferson could come close to Daveed Diggs. The chemistry with Madison was very good, and in Act 1 with Mulligan and Laurens, Mulligan/Madison was just as good; his slightly comical interpretation wasn’t over the top and was very good—his energy and strong voice also appealed to me. Laurens/Philipp as Laurens was good, as Philipp he was fantastic. You really bought into his portrayal of the child without coming across as silly. As Laurens, he didn’t stand out, though, and had no flaws. King George was too silly for me, as if he were performing for elementary schoolers. Sure, he’s supposed to seem a bit childish and naive, but for me it was too much—he and Burr were the weak points of the musical, even though he was at least somewhat amusing in parts. In general, two lines were also changed: in “Take a Break,” instead of “John Adams doesn’t have a real job anyway,” it was “Vice President doesn’t have a real job anyway,” and in “Your Obedient Servant,” instead of “Weehawken Dawn Guns Drawn,” it was “New Jersey Dawn Guns Drawn.” This confused me. The theater is extremely impressive.
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Hamilton was amazing!!! The tickets arrived the day before and I had no issues getting into the venue. Highly recommend. I would, however, spend more on centered tickets, the view posted required me to lean and reach my camera out over the railing, most of the stage was blocked (not just the right) if you didn't LEAN the whole time. These were grand circle box seats.
The atmosphere in the old theater was wonderful, and the staff was very friendly. The entire Hamilton cast was simply phenomenal! A high-energy show with wonderful singers and dancers who kept us thoroughly entertained for nearly three hours.
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Headout was incredibly easy to use, sent us wonderful timely reminders and we all loved the show. Easy to navigate the Headout website and will certainly use again. Overall, a very positive experience!
Wonderful show! Amazing cast! We could not have been more pleased with our seats, comfortable and roomy and perfect distance from the stage. We loved having the wide seat option.
The cost of the tickets starts from £25 and will vary depending on the type of seats you choose.
The musical does not have a strict age limit. However, it is most suitable for children of 10 years and above. Children under 3 years will not be permitted and adolescents under 16 years must be accompanied by an adult. The production contains some strong language, so viewer's discretion is advised.
The musical is playing at the Victoria Palace Theatre in London.
The running time of the musical is 2 hours and 45 minutes with an intermission.
Hamilton is an award-winning musical about America's Founding Father Alexander Hamilton, during George Washington's era, as his right-hand man during the Revolutionary War and how he was the new nation's first Treasury Secretary.
The Grammy award-winning album features hit tunes such as "Alexander Hamilton", "The Story of Tonight", "My Shot", "Aaron Burr", "Sir, Right Hand Man", and many more. You can listen to the album here.
Hamilton has received numerous honours, including 11 Tony Awards, the Pulitzer Prize for Drama, a Grammy Award, and 7 Olivier Awards for its London run, including Best New Musical in 2018.
Alex Sawyer currently stars as Alexander Hamilton. Alternate performances feature Adam J Bernard.