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The cult manga phenomenon comes alive in Death Note: The Musical, making its world premiere in London. This genre-bending musical, adapted from the best-selling manga by Tsugumi Ohba and Takeshi Obata, is composed by Frank Wildhorn (Grammy and Tony nominee) and written by Ivan Menchell (Emmy nominee). The story’s gripping battle of minds between Light and L, set to a soaring score, appeals to manga fans, musical lovers, and newcomers alike. Following acclaimed runs in Asia and sold-out productions in London, this limited engagement at the Barbican Theatre is a must for anyone drawn to stories of power, morality, and suspense.
When brilliant student Light Yagami stumbles upon a mysterious notebook with the power to kill, he sets out to rid the world of evil. But his quest for justice spirals into obsession as he faces off against the enigmatic detective L. As the lines between good and evil blur, both men are forced to confront the true cost of power. Who will outwit whom—and at what price?
Show timings for Death Note: The Musical may vary every week. You can check the show timings for your preferred date at the next stage of booking.
Book: Ivan Menchell
Music/Composer: Frank Wildhorn
Lyrics: Jack Murphy
Note: Producers cannot guarantee the appearance of any particular artist, which is always subject to illness and holidays.
Listen to the original soundtrack album by Hideki Taniuchi and Yoshihisa Hirano from the famed anime series, Death Note.
The Barbican Theatre is a landmark of modernist architecture in the heart of London. Known for its striking design and versatile stage, it has hosted acclaimed productions ranging from Shakespeare to contemporary musicals. The Barbican’s innovative layout and state-of-the-art facilities make it a favorite for ambitious theatrical events and international premieres. The Barbican Theatre seating plan will help you find the best seats in the theater.
Address: Silk Street, London EC2Y 8DS, United Kingdom
Train: The nearest underground stations are Barbican, Moorgate, and St Paul’s. Liverpool Street and Farringdon are also within walking distance.
Bus: 4, 56, 153, 100, 388
Available facilities: Bar, Restaurant, Cloakroom, Restrooms, Lounge, Elevator
Accessibility: wheelchair spaces available, access performances, Wheelchair accessible, Accessible restrooms, Companion seating, Assistive listening devices, Accessible parking spaces
Security: To ensure your comfort and security, you might encounter a few security checks when you arrive at the venue.
Dress code: Smart casual or semi-formal attire is the way to go.
Outside food: While outside food isn't usually allowed, many theaters have cafes or restaurants nearby for you to check out before or after the show.
Tickets cannot be refunded, amended, or rescheduled.
The show was excellent. The acting, singing and dancing were flawless. The musical score was rock songs, which were as good as all the other musicals in the westend. The set changes were flawlessly moved around electronically maybe because I didn't see any pullies and they didn't have people come on stage to move it . The Barbican Theatre was also remarkable. I had doors at both ends of every row of seats, these door were all close electronically together when the show was just ready to start. Instead of a curtain it looked like a shiny metal shutter, to top half went up and the bottom half went down to reveal the stage. The seats were comfortable with plenty of leg room where I sat in the stalls. Overall I found it an unforgettable experience, as soon the show finished I wanted to stay and watch it again. It is a shame that the show only has about another two weeks left to run and as of the 22/08/26 it has no plans as yet to continue .
Took my daughter to an animé musical (Death Note) and was not expecting to enjoy it as much as I did! Great view from our seats in the circle, and I was really impressed with how slick the whole performance was, including the stage mechan (not sure that's the technical term!). Every performer was so talented it was a pleasure to watch.
Incredible staging, set design and performances. This was my second time abd I am going to try again before the end of this run. Theatre at its peak.