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Elton John ve Tim Rice'ın "Circle of Life," "Hakuna Matata," ve Oscar ödüllü "Can You Feel the Love Tonight" gibi zamansız hitlerinin keyfini çıkarın." Lebo M'in yükselen koro düzenlemeleri, Mark Mancina'nın ek müziği ve Hans Zimmer'in orijinal film temaları ile müzik, Julie Taymor'un vizyonuyla kusursuz bir şekilde harmanlanarak unutulmaz bir canlı deneyim yaratıyor.
Lyceum Tiyatrosu, Strand'ın hemen dışında Wellington Caddesi'nde yer almaktadır ve tarihi 1765 yılına kadar uzanmaktadır. Yıllar içinde mekan, sirk, şapel, Madame Tussauds Sergisi ve daha pek çok şeye görevli olmak gibi pek çok amaca hizmet etmiştir. Hatta birkaç yıl boyunca İngiliz Opera Binası olarak hizmet vermiştir. 1999 yılından bu yana dünyaca ünlü müzikal Aslan Kral'a ev sahipliği yapmaktadır.
Lyceum Tiyatrosu oturma planı tiyatrodaki en iyi koltukları bulmanıza yardımcı olacaktır.
As somebody from outside UK, the Lyceum Theatre is what I imagined a West End theatre to be like - stone carvings, grand auditoriums and private stall boxes at the side. The atmosphere in the Lyceum Theatre alone sets the tone and expectation for me for future West End productions. On the production itself, the Lion King is a masterclass of a big production done right - elaborate puppetry, seamless sets and actors who bring their characters to life. One of the defining moments during the play would be *spoilers* Mufasa's fall *spoilers. Combined with the background music of "He Lives in You", you feel and empathise with the loss Simba feels. Unique to my experience was also a puppet malfunction where one of Timon's hands was stuck. However the actor persevered on and it took awhile to notice the malfunction, testament to their acting chops. I was seated at Row B in the Grand Circle and didn't feel like I missed out on anything. Perhaps as a point of improvement, there are binoculars for rental at 1GBP. However these are coin operated which I didn't have. If there was a way for the binoculars to be rented in the future using cashless, I would be inclined to try and rent one out.
È un viaggio sensoriale che ti catapulta nel cuore della savana fin da subito. Immagina: ✨ Il grido potente di Rafiki che squarcia il silenzio. ✨ Gli animali a grandezza naturale che sfilano a pochi centimetri da te, lungo i corridoi della platea. ✨ Le percussioni live che ti vibrano nel petto e le straordinarie coreografie che fondono attori e costumi in una simbiosi magica. Un’esperienza visiva e musicale che commuove, stupisce e unisce grandi e piccini. Se stai pianificando un viaggio a Londra, questo è l'evento da non perdere assolutamente! ✈️🦁
A couple of technical issues caused the show to be halted twice. This caused quite a few in the audience to go for a toilet break. It was a very warm day and the show was packed a little more cool air would have made it more comfortable. The costumes for this show are the real stars especially the giraffes. Some great performances from a solid cast both older and younger Nala I found particularly engaging. Far from the best show I've seen but well worth a look if you like the story. Be careful in the aisles you just might meet an elephant.
The show was wonderful, beautiful, and creative—the best I’ve ever seen. Unfortunately, however, during the performance, a mouse was running around near the front rows close to the stage. It was deeply distressing. We paid so much money, only to sit with our legs tucked up, feeling disgusted by a loose mouse under the stage. I don't understand why the venue's maintenance isn't taken care of and why mouse traps aren't set. I expected proper value for the tickets I paid for, not an experience
Performances were great. A group of teenagers in the audience behind us were both noisy and rude when told to be quiet. I've already given feedback about that. As a foreigner myself visiting London, my take is: if you can't understand english well enough to understand the theatres info on how to behave during a show, like "no talking" and they not pick up on that by themselves, then throw them out. It's distespectful to both the artists and the audience who appreciate what's in front of them