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Efter at have gennemgået en transformation er Empress Museum – det tidligere Daikin Centre – nu blevet et sted med et hav af anvendelsesmuligheder. Omdrejningspunktet er The Big Top (det store telt), en sal med 700 pladser, der er skabt til at skabe medrivende live-begivenheder såsom cirkus og ekstravagant teatermagi. David Attenborough-film og de aktuelle cirkuskulisser til Come Alive er nogle af de store opsætninger, der har til huse på museet.
Uanset hvor du sidder i The Big Top, får du en intim oplevelse takket være den omhyggeligt designede arkitektur med optimalt udsyn og fantastisk akustik. Det er en sal, der kan rumme både store forestillinger og mere intime arrangementer med publikumsdeltagelse. Oplev fremtiden inden for immersiv underholdning på Empress Museum i London, uanset om du er der på grund af et event eller bare vil udforske det multifunktionelle sted. Stedets engagement i at inddrage publikum og dets evne til at tilbyde spændende forestillinger gør det helt unikt.
Adresse: Empress Pl, London SW6 1TT, Storbritannien
Metro: De nærmeste undergrundsstationer er West Brompton Station (District Line og London Overground), som ligger en 5 minutters gang derfra, og Earl's Court Station (District- og Piccadilly-linjen) 10 minutters gang derfra.
Tog: Den nærmeste metrostation er West Brompton National Rail Station, en 5 minutters gang fra stedet.
Bus: De nærmeste busstop er Empress State Building/West Brompton Station (BA), 3 minutters gang fra stedet, og North End Road Market (BH), 5 minutters gang derfra.
Tilgængelige faciliteter: Spisestue, bar, toiletter
Tilgængelighed: Trinløs adgang, tilgængelige toiletter, Sennheiser teleslyngeanlæg, headsets udleveres efter anmodning, 'relaxed performances', hjælpehunde tilladt
Come Alive is, quite simply, theatrical magic — the kind that reminds you why live performance can feel so transcendent. From the moment the performances begin, the show pulses with energy, confidence, and an almost infectious joy that never lets up. What makes Come Alive stand out is how utterly immersive it feels. It doesn’t just tell a story — it invites you into it. The staging is bold and inventive, constantly shifting in ways that keep your eyes darting across the stage, afraid to miss a single detail. Every transition feels seamless, almost cinematic, yet unmistakably live. It’s the rare production where spectacle enhances emotion rather than overshadowing it. The performances are nothing short of extraordinary. The cast radiates charisma, delivering vocals that are both technically flawless and emotionally charged. There’s a genuine sense that everyone on stage is giving their all, and that commitment translates directly to the audience. The leads anchor the show beautifully, but it’s the ensemble that gives Come Alive its heartbeat — every movement, every harmony, every moment of choreography feels purposeful and alive. Speaking of choreography, it’s electric. The dance numbers are dynamic and exhilarating, blending precision with personality. There’s a physicality to the movement that mirrors the show’s themes of transformation and possibility, making each number feel like a celebration of what the human body — and spirit — can do. And then there’s the music. The score is packed with high-energy numbers and emotionally resonant moments, each song building on the last until the entire theatre feels like it’s vibrating with sound. The title number, “Come Alive,” is a particular standout — a showstopper in every sense, with a crescendo that feels like it could lift the roof off the building. It’s the kind of moment where you look around and realize everyone is completely swept up in the same feeling. In short, Come Alive isn’t just a musical — it’s an experience. Bold, joyful, and deeply moving, it lingers long after the final bow. If this isn’t the best musical I’ve ever seen, it’s certainly the one that felt the most alive.
My daughter and I are big fans of the Greatest Showman, and this was a really special event that allowed us to feel as part of the circus audience we saw on the film. From the second you enter the venue, you are transported to the Greatest Showman's circus. First walking around an astmospheric arena of caravans and pitches of the performers that also doubles as bars, food servers and merch stands. You enter the big top, a circular stage which houses an intimate audience of just 700 people, where you are in touching distance of the action at all times. All the fan favourite songs and spectacular acrobatics, with stunning lighting, smoke, and fire effects delivered with a light narrative that creates a spectacle that was breathtaking from beginning to end! Great show for fans and newcomers alike.
The entire event was excellent. From the moment you walk in, its completely emersive. As for the performance...it was amazing. A perfect blend of phenmonal vocal performances, acrobatics, audience participation and modified storyline to fit the.....musical? I was so much more than a musical. Really well done and I would recommend it.
This was not a show it was an event an totally immersive experience From going through the front door to finally reluctantly leaving it was so impressive The food and drinks stalls the displays But oh my goodness the show, I love theatre but this was so much more The production the cast it blew my mind
This show was absolutely stunning and exceeded my expectations. The performers were incredible in their skill and their strength. Totally mesmerising. The show did not disappoint. I would recommend this to everyone and I would happily see it again. A total feast for the eyes, the senses and the soul. 10/10
Priserne starter ved 54 £, og prisen varierer afhængigt af, hvilke pladser du vælger.
Showet er egnet for personer fra 6 år og opefter. Der er ingen adgang for børn under 5 år og babyer på armen. Publikummer under 16 år skal ledsages af en voksen.
Showet opføres i The Big Top på Empress Museum.
Come Alive er en selvopdagelsesrejse for Max, en ung cirkusartist. Showet er baseret på The Greatest Showman.
Spilletiden er 2 timer.